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Finally, Sprig weaves a narrative entitled “Skin Deep” about meeting a being with skin composed of Dead Frogs. LittlePot – voiced by George Takei – to reap the souls of different families. The stories themselves are entertaining as well, including Anne’s tale about peer pressure involving people getting literally sucked into cell phones called “Phone Mo” – “like FOMO but with your phone.” Next comes Hop-Pop’s tale called “Dead End” about the Plantar family patriarch driving a devilish figure, Mr.
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Literally, as the title sequence is updated with a purple filter, random skeletons and bats, and a spooky update to the theme song. This one is pure, Halloween fun from start to finish. RELATED: The Forgotten Cartoon Cartoon: Why Mike, Lu & Og Deserves a Second LookĪnne and the Plantars are stowed away inside during the annual blue moon shut-in to avoid looking at a moon that might turn them into monsters “no one knows” and “no one wants to find out…ever.” While locked in, Anne, Sprig, and Hop-Pop tell scary stories, tales that have actually happened and are frightening enough to keep them from going outside, per Hop-Pops’ rules. That mindset directly causes their suffering when Dipper tells the Trickster that he looks “too old to go trick or treating” and later when Dipper hides their candy from Wendy, accidentally pushing it into a stream. What drives the episode is Dipper trying to grow up too quickly while Mabel wants to enjoy getting candy with Dipper in Twin costumes. The episode does have some fantastic Halloweeny pleasures, from Soos obsessing over a decoration skeleton head that tells puns, to Grunkle Stan trying to scare some children. Dipper angers the Summerween Trickster in the process, which forces Dipper to trick-or-treat for 500 pieces of candy before the last jack-o’-melon (using watermelons instead of pumpkins as jack-o’-lanterns) is blown out to appease the Trickster or die. Dipper and Mabel plan to go trick or treating, but Dipper wants to ditch her for a party with Wendy. With that said, “Summerween” is specifically about a version of Halloween set over the summer because the people of Gravity Falls love Halloween so much they have it twice. Alex Hirsch’s modern gem is full of scream-worthy imagery.